Episode 1, Part 2: "LAX"

LAX Part 2

Thus begins part 2 of my as it happens, up to the minute, blogging extravaganza of the LOST season 6 premiere; the FINAL season! To my devoted following of zero readers I want to thank you for reminding me each day why I put in the time. You inspire me, and in turn I hope that one day I can inspire you!

Just to do a quick recap for those of you not familiar with my elaborate nomenclature, the “reset” timeline I am affectionately referring to as the “Juliet Is Still Alive Somewhere” timeline or JISAS,
in reference to the fact that my beloved Dr. Juliet Burke is somewhere still alive in this timeline (as the events on the island presumably never occurred). The “failure to reset” timeline I am calling the “Back To The Future” timeline or BTTF, an obvious reference to the successful sci-fi franchise of movies starring Michael J. Fox as Marty McFly and the incomparable Christopher Lloyd as the zany but brilliant Dr. Emmett Brown. Now that we have that cleared up, on to the show!

LAX Part 2 opens back on the island (having left us on a plane landing in Los Angeles back in part 1). Sayid is somehow managing to hang on to life despite having been shot over a week ago (not literally), he might kill kids but he’s one tough son of a bitch. Just in these first 5 minutes we already know what the big question of the episode is going to be, “What’s in the guitar case?” If I had to guess I would say it’s probably a banjo, because we all know there’s nothing funnier than a banjo in a guitar case, am I right? Of course I’m right. Anyway, Sawyer is off to bury Juliet and has no interest in receiving any help from Kate (another nail in the coffin of that love triangle?) and enlisting the aid of Miles instead (though one must wonder if he is after his special “ability” more so than his grave digging prowess). I’ll just quickly say about Miles that I pretty much liked him from the get-go, he provided a nice sarcastic counterbalance to the cerebral Daniel Faraday and gave us some much needed relief from all the high tension drama of season 4. I don’t feel like his character has ever really been given the full LOST treatment (I believe he only had one solo episode, that being Season 5: Episode 13 “Some Like it Hoth”; if he had another I’m sure my legion of zero fans will point out my mistake soon enough), and though he was used rather sparingly in season 5, his conversations with Hurley were not to be missed. Continuing with the episode breakdown it seems that Sawyer aint following nobody any more, I know this because he literally just said, “I aint following nobody.” Double negative aside, I like this new devil-may-care Sawyer, he has nothing to lose and that makes him interesting. I never liked the Kate-Sawyer romance, it always felt shallow to me, bad girl falls for the bad boy; I’m hoping the writers are finally closing the book on that unfortunate chapter (and so far this season all indications seem to be pointing in that direction).

And we’re back in Los Angeles, the city of angels and, ironically enough, also the den of Satan. Jack’s being paged by the airline, which as anyone who travels knows, is NEVER a good thing. In this particular case it’s doubly bad, the airline has not only failed to transport the body of his deceased father (one Christian Shephard, a very important figure if you’ll recall) but have somehow lost it entirely. Granted this is a new timeline and so we may very well be operating under a new set of rules, but as LOST diehards we know that a missing body is never as simple as misfiled paperwork. We’ll have to keep a close eye on that (and by we I mean me since nobody else cares).

On the island… Hurley, Kate, Jin, and Jack venture into the mysterious underground hole that goes under the temple walls. Hurley comes across the body of a dead Frenchman who apparently died while reading a book. A quick pause of the DVR reveals that the book in question is written by the Danish philosopher Søren Kierkegaard. I think it is worth noting tha, I have found, it’s often these seemingly innocuous hints that yield the most fruit (says I to myself). Though the title of the book is partially obscured by Hurley’s considerable thumbage, we can make out the middle word “et” and most of the last word which looks like “Tremblement.” Because we know that this is the French version it doesn’t take much of a leap to assume that we are looking at Kierkegaard’s book, “Fear and Trembling.” A quick inquiry into the contents of this book yields some interesting results. Apparently the book deals with an examination of the story of Abraham and Isaac from Genesis 22 (which for the uninitiated is the story of Abraham being asked by God to sacrifice his son Isaac. Abraham is about to follow through with the sacrifice when God stops him and explains that it was all just a test of his faith), Kierkegaard looks specifically at whether or not otherwise unethical behavior might be considered ethical if in service to God, as is the case here (human sacrifice being in every other instance an immoral act but seen as acceptable in the story of Abraham because it was demanded of him by God). Are we bound to serve God absolutely? Even beyond that which could be considered ethical? I would be willing to wager that these themes will emerge at some point in this final season of LOST. It’s also perhaps worth noting (as it supports an earlier statement that I made in part 1, and this being my blog I will of course only point out information that supports my theories and none that conflicts with them) that Kierkegaard dealt heavily with subjects relating to the emotional impact of making difficult life choices (if you’ll recall my postulation that choice will be a major theme in season 6 as it has been in seasons 1-5). Anyway, enough about Kierkegaard and how right I always am. The Frenchman in the tunnel is of course the one-armed man from Jin and Rousseau’s run in with Smoky (Season 5: Episode 5, “This Place is Death”). The whispering can only mean one thing, the others are teleporting around again; I am very much looking forward to the explanation on that one, I don’t even have a viable theory at this point. I would love to see the two others tasked with hauling Hurley in, maybe that can teleport other people as well. We finally see the temple that has been talked about for years, but only briefly. It’s an impressive set piece, I look forward to seeing how they use it.

Back in LA… Kate and her shadow, U. S. Marshal Edward Mars, are debating the merits of an unscheduled bathroom break. Of course as veteran viewers we (me, myself, and I) know damn well that Kate has no interest in such trivial matters as waste expulsion, no she’s hatching an escape plan. I found this scene oddly unsettling, to quote the classic coming of age tale “Not Another Teen Movie,” “girl go pee-pee not something me want to see-see.” Watching Kate sitting on a toilet while a man asks her, “are you done yet,” to which she responds, “not yet” or “I’m not finished,” evokes certain images that I can honestly say, as hot as Kate is, I would rather not see, even in my mind’s eye. Scatological pleasantries aside, Kate once again successfully escapes the custody of the oft-thwarted Marshal Mars (what you thought she was going to spend half of season six in prison?). Who’s waiting for her in the elevator? Well Sawyer of course, and he’s just as brash, arrogant, and quick witted as we remember from season 1. It’s a testament to Josh Holloway that he can convincingly transition from the carefree cock of the walk in one scene to a broken and devastated wreck in the next; these Sawyers might as well be different people considering how far apart they are in almost every respect.

On the island… as I predicted earlier (since nobody will read this I suppose I can congratulate myself with impunity), Sawyer uses Miles talents to reveal what would have been Juliet’s “very important” last words (“it worked”). And important they were. To get an in depth look at my take on the subject just head back up to my post on LAX Part 1 where I outlined in detail what I felt was the significance of these words and why Juliet meant to say them. I won’t rehash it all here, but I will say that I think this is probably a portent of things to come. I believe that for this season to satisfy fans and accomplish the ambitious feat of giving such a fantastic show the ending it deserves, there is going to have to be, at some point, an overlap in the JISAS and BTTF timelines. I simply can’t imagine the writers allowing the show to end with two separate timelines going on simultaneously; it’s far too ambiguous and would probably fail to satisfy anyone, casual or diehard. If you accept that premise (as all of the zero people that make up this blog's readership do), then it must follow that something has to happen that brings these alternate timelines back into alignment, and for that to happen I would think that the heroes of our story will have to at some point become aware of the fact that these alternate timelines exist. How that’s going to happen I can’t yet say but if my theory about Juliet is correct (not to mention the heavy hinting going on regarding JISAS Jack somehow retaining memories from a life on the island), then it might be possible that these characters will in some way be able to inhabit the consciousness of their alternate timeline counterparts. All of this is highly speculative at this early stage, but I think it’s worth considering as the show goes on. ANYWAY… we’re back at the temple now, Jack, Kate, Jin, and Hurley are being interrogated by Ujio (Hiroyuki Senada) from “The Last Samurai” with “Deadwood’s” Sol Star (John Hawkes) translating, referred to here as Dogen and Lennon respectively. Japanese is just a badass language is it not? “Why yes it is friend, I whole heartedly agree.” “Ah, well thank you for being such an agreeable chap.” “Cheers.” “Cheers.” “Best be getting back to this blog business before my readers get upset!” “Hip-hip, cheerio then.” We get another glimpse of Cindy the stewardess, God only knows what kind of crazy trip she’s been on over the past few years, perhaps we’ll find out (though I wouldn’t bank on it). Dogen orders our heroes summarily executed, but thankfully Hurley is there to save the day. Inside the guitar case is a giant wooden “Ankh,” which is an Egyptian hieroglyphic that represents eternal life (though probably more popularly known to our readership as the necessary reagent for conjuring the Shaman specific reincarnation ability in the popular MMORPG World of Warcraft). Inside the shattered shell of this hollow wooden object is a piece of paper. We can only assume that this paper lists the names of each of the party’s members and gives instructions to keep them alive (an inference I have made based on the combination of each member reciting their name and the subsequent cryptic explanation by Lennon that the paper said simply, “if your friend there dies, we’re all in a lot of trouble.”) This obviously raises the question of Jacob’s prescience. He gave Hurley a guitar case in Los Angeles that contained within it a piece of paper giving instructions about a situation that had yet to occur. This seems pretty compelling evidence that Jacob has some knowledge of the future, or at the very least has enough knowledge of the people on the island to accurately predict their future behavior based on his observations of antecedent causes. I imagine we will find out which it is soon enough.

After some nonsense with Jin and Sun (her pretending not to speak English again), we are back in the temple, but this time in a room that appears to house a massive hot spring of some sort. Lennon expresses alarm at the fact that the water isn’t clear like it should be; no further explanation is given. Dogen cuts his hand and submerges it in the water, when he draws it back out the wound is still clearly visible. A couple things here. First, the people whom we have to assume are the caretakers of this temple, or at least seem to be in charge, are surprised and perplexed by the color of the water, which signals to me that it’s something they’ve never encountered before, hence Lennon asking, “what happened?” If that’s true then it means that something unique has happened on the island recently. Jacob dying would be the obvious answer. My guess is that this spring must get its properties from Jacob directly, or something similar. Second, clearly Dogen expected some kind of healing to take place when he put his hand in the water, an expectation that was not met. This would make sense if the healing properties of the spring are somehow tied to Jacob’s life force (we know Jacob can himself heal people, as he healed Locke after falling 8-stories to his death, and we know that Richard claims that Jacob made him the way he is; seemingly eternal). That being said, if Jacob knew that his death would adversely impact the healing power of the spring why would he send Hurley to the temple in the first place? Perhaps the well retains some of Jacob’s life force and thus some of his healing power, though significantly weakened. Let’s watch more! I can’t even speculate as to the origin of the hourglass timer, clearly it marks the amount of time it takes underwater for healing to occur, but how it works or why it exists I obviously have no idea (feel free to suggest some ideas, oh wait, that’s right, there’s nobody here but me). Aside from Sayid dying (riiiiight, I don’t think any of us are buying Sayid being dead), we learned that Dogen has some serious martial arts training, and that Jack still has a habit of performing CPR on dead bodies (hey, it worked for Charlie).

Meanwhile in Los Angeles… Kate is escaping from the airport (I can’t believe they’ve given Frogurt more face time in this episode than Smoky McGee, such a waste of talent), and making it look surprisingly easy, at first anyway. As an aside to Kate, if you’re trying not to be seen it’s probably best to avoid making direct eye-contact with the enemy, just a thought. Kate jumps into a taxi driven by the Puppet Master from Heroes (I don’t know if he retains his powers since LOST is on a completely different network) and we get our first glimpse of Claire since we last saw her in the cabin with Christian way back in season 4 (Episode 11, “Cabin Fever”).

CUT TO:
INT. TEMPLE SPRING – DAY
Sawyer is dragged in unconscious while Miles blabbers on about rocks or something, it’s not important. Hurley talks with Dogen, Lennon translates (I have to agree with Dogen, Japanese just sounds better). Hurley tells them that Jacob is dead, news that clearly shocks and upsets Dogen greatly, sending him into a frenzy of barking orders and preparing defenses (including prodigious use of grey sand). I am going to speculate based on the reaction here (i.e., the immediate laying down of vast amount of grey sand) that Jacob was somehow protecting the temple from Smoky, and now that he is dead Dogen fears some kind of an attack. Go to love the “Him? Him who?” Cut to Smoky dragging a dead body. Pretty excellent.

Back at the statue Smoky McGee appears to have his hands full (literally in this case) taking care of the mess he just made with lumberjack and his boys. Terry O’Quinn again just dominates it, he’s barely on screen for the entire episode and in 5 minutes he blows everybody else away. “You’re the monster.” “Let’s not resort to name calling.” Classic. I really can’t wait to find out what’s going on with Smoky, I can’t tell if he’s a good guy, a bad guy, or something in between. He gave those men a chance to leave peacefully and only killed them after they fired upon him, but in season 5 he also appeared to Ben as his dead daughter and tricked him into killing Jacob, a twisted act of manipulation if there ever was one (though we don’t know what Jacob did to a provoke his wrath), and he also might have mentioned something about “taking care of” the Ajira passengers back in season 5, but I’m willing to overlook that. I guess time will tell, I very much hope that we get to see considerably more of Smoky in the weeks to come, I can’t handle these 5 minute teasers of awesomeness and then get nothing for huge stretches, here’s an idea for the writers, cut out Frogurt completely and just use that extra time for Smoky, simple. This conversation with Ben, while patently awesome, also confirms some things that most of us already suspected. Namely that Smoky completely inherits the memories of his, shall we say… victims? I’m not going to lie, I was a huge John Locke fan, and so to hear Smoky bad mouth him doesn’t sit particularly well with me, but he does it in such a badass way (using the lighting to excellent effect), that I really can’t fault him for it (plus he throws in a backhanded compliment there at the end, so at least that’s something). His answer to Ben’s final question, “What do you want?” will undoubtedly be the talk of the blogospheres (is that singular or plural? Well I guess since nobody is going to read this it really doesn’t matter) this week. “I want to go home.” I guess this means that Smoky has been thrown out of his home, presumably by Jacob, which might be why he killed him (maybe it was the only way he could get past the defenses that blocked him from his home). The obvious question is “well where is home?” To which the obvious answer would be “the temple.” Of course I don’t know if that is in fact the correct answer, but given the sudden panic set off at the temple by the news of Jacob’s death, it’s hard to imagine where else he could be meaning. It’s also possible that Smoky isn’t from the island, though I don’t think this is the correct interpretations, it is certainly a legitimate possibility. Given the supernatural and/or alien like properties of both Jacob and Smoky, it is not unreasonable to assume that they are not of this earth at all, perhaps the island itself is a broken chunk of another planet or perhaps another dimension (a theory I believe postulated by the mirror matter moon folks), and maybe Smoky wants to return to said planet or dimension. Why Jacob would be standing in his way were that the case I don’t rightly know. Anyway, 100 theories could probably be generated given the limited information available, so I will cease speculation for the time being so that I can get to the end of this damn blog post.

Here comes the Sayid resurrection, I’m calling it right now. Hmm, Miles can’t hear Sayid. I wonder what that means. And, shit, just when I was convinced the writers were finally putting the kybosh on the Kate-Sawyer debacle it rears its ugly head again, Juliet’s body is still warm! Let the man grieve in peace!

Jack and Locke, back together, we fans (meaning me and the zero or so people who will read this blog) have been waiting for this reunion for quite a long time, though I don’t think many of us saw it happening like this. I have to say I am pleasantly surprised. I always liked the old Locke and it’s good to see him and Jack forgetting (quite literally in this case) old grudges and talking like friends. I’m intrigued by the possibility of a JISAS Locke-Jack friendship. I could even see a situation where somehow JISAS Locke and Jack team up to stop BTTF Smoky from accomplishing some nefarious plot (and Locke finding redemption in the process). That would be a pretty sweet ending, though part of me is hoping for Smoky to succeed in whatever thing he is trying to achieve.

And right on cue, here’s Smoky emerging from the Statue, cool as a cucumber. It’s interesting that Richard yells, “don’t shoot him!” I wonder if he fears angering Smoky. Okay, now this finish was epic. “It’s good to see you out of those chains.” SAY WHAT!!! Richard is scared shitless of this guy. The throat shot was pretty solid too. Smoky might be disappointed in all of them, but I’m disappointed with the writers for depriving me of my fair share of Smoky McGee screen time, this guy’s a monster (literally and figuratively), he walks past Locke’s body as if it isn’t even there. I genuinely can’t wait to see where this is going. LOST you’ve done it to me again!

Oh, and Sayid’s alive – BAM called that! You have to wonder though if it’s really Sayid, with so many people being possessed around here, who’s to say.

Well that’s it for LAX Part 2. The season premiere is in the books. I managed to cut that post down from 4,500 words to 4,000, its progress anyway. Critiques, comments, questions, ideas, whatever, let me know. Otherwise I’ll just create a bunch of user accounts and comment on my own blog so it looks like I have readers. Is it pathetic? You bet your ass it is.

Episode 1, Part 1: "LAX"

LAX Part 1

The season premiere begins with Jack back on flight 815, though he looks strangely confused by finding himself there, looking around as if in a dream. I think it’s safe to assume from this that this sequence is meant to suggest that these events are happening AFTER the hydrogen bomb incident and is not simply a flashback. As fans of the show have undoubtedly noticed, the dialogue here with the stewardess is identical to that of season 1, of note though (or maybe not) is the fact that she only hands him 1 mini-bottle of vodka instead of 2 as she did the first time around. Probably insignificant, perhaps just the writers cluing us in to the fact that something has changed and that this timeline will be different. Again, the dialogue with Rose is the same as season 1, that is until the turbulence hits. Jack has a curiously strong reaction to the turbulence, holding on for dear life as if EXPECTING the plane to crash. Could it be that some part of his consciousness from the island has remained intact even though the events of the island were prevented from happening at all? Following a typical saccharine moment with Rose and Bernard (somewhat sullied by the fact that we of course know that Rose will soon die of cancer, it having not been cured by the island in this alternate timeline, is it funny or sad that nobody seemed to care that Rose would die of cancer if they “reset” the plane crash? though I don’t think many fans did either). Now Jack is in the bathroom and discovers a mysterious cut on his neck, confused as to its origin. Is this evidence perhaps that more than just their minds have gone back in time? Are their bodies in some way still connected to the events on the island? Let’s watch and find out!

Okay, we now see Desmond on the plane, so presumably something has happened to the island in the years since they blew up the bomb, either that or Desmond still went to the island (having crashed there during his race around the world, which we assume wouldn’t have been affected by the actions of Jack and his crew on the island in 1977) and is now off of it, though how he managed to get off the “snow-globe” of an island is an interesting question. Either way, whatever the reason is, Jack is eyeballing him something fierce, again suggesting that maybe Jack has some memory of the island in this parallel timeline. Interestingly Desmond seems genuinely surprised by Jack’s question of familiarity, which wouldn’t make sense if a) Desmond had met Jack on the island and remembered it (which might raise questions as to whether Jack is the only one who has some memory of the island), or b) if they had met during Desmond’s training for the race around the world (as was the case in the original timeline); if you’ll recall, Desmond recognized Jack immediately in the hatch, so him not recognizing him here could be significant. Are we to assume then that the entire history of these characters has changed or just their time spent on the island? I guess you could make an argument that says if the island was destroyed in 1977 then Charles Widmore presumably died on it, thus never insulting Desmond’s honor, Desmond never enters the race around the world, never is training for it, and hence never meets Jack. That seems to be the most obvious explanation. A legitimately terrible CGI sequence (not sure if it’s quite as bad as the season 5 finale submarine debacle, but close) reveals that the island – and concomitantly the statue – is in fact under water.

Back from commercial and the first scene is a flashback of Juliet being pulled into the pit-o-death, and is it just me or did that scream she just let out give you a slight chub – my apologies to any lady readers [who am I kidding? Nobody is reading this] (on that point, I really loved Juliet – the season 5 version that is, season 4 version was kind of a bitch – if you haven’t seen GIA, do yourself a favor, stop reading this, assuming anyone is to begin with *highly unlikely*, and go find a copy; vhs, dvd, it doesn’t matter, pirate it if you have to – though I would never endorse such a thing – then skip ahead past all the boring crap at the beginning to about the 24 minute mark; you there? Tell me that’s not the greatest thing you’ve ever seen)? Anyway, moving on… great acting all around (not that I’m any kind of expert on such things) by Josh Holloway (Sawyer of course) and Elizabeth Mitchell (Juliet… don’t lie, you’re googling that GIA sex scene as we speak).

And what’s this! We’re back on the island. After an inexplicable sequence that finds Kate up in a tree with her ears ringing (how an explosion knocked her into a tree but didn’t seem to harm her is a mystery of LOSTian proportions), Kate runs into Miles and, in case he wasn’t sure, informs him that they are in fact BACK… to the future (not bad right? I see you LOST writers!). Okay, so it looks as if we are dealing with some kind of parallel timeline situation. In one version of events the bomb offset the pocket of energy, apparently sinking the island somehow and ensuring that flight 815 never crashes. In the other, as we are now finding out, nothing seems to have changed at all, though how both of these outcomes could have occurred simultaneously we are left only to speculate. The intricacies of time travel are confusing at the best of times and seem to lead only to circuitous speculations and intense nerd anger, so let’s just go with it. Moving on… I’m guessing it is not a coincidence that we see Sawyer and Jack lying quite literally side by side as the camera moves from Sawyer and then to Jack from a Kate POV-shot. Who does she run to check on? Jack of course. Could this finally mark the end of the infamous Kate-Jack-Sawyer love triangle (previously the Kate-Jack-Sawyer-Juliet love parallelogram, may Juliet rest in peace)? One can only hope. It’s not obvious from the shots that we get whether or not Jack has a cut on his neck here in timeline 2 (henceforth to be referred to as the “back to the future” timeline, or BTTF for short) as he did in timeline 1 (henceforth to be referred to as the “Juliet is still alive somewhere” timeline or JISAS), at the very least the writers aren’t drawing attention to it if he does.

Back to the plane we go! Jack runs into a handcuffed Kate Austin and her shockingly dickish escort, U. S. Marshal Edward Mars (do you think we can we petition to have him killed a second time?), the lingering shot of Jack as Kate sits down seems to hint that a larger game may in fact be afoot. Dr. Arzt returns as annoying as ever, though his presence is thankfully short-lived. I found the conversation here between Hurley and Sawyer to be interesting on a couple of levels. First of all, we find out that, for whatever reason, the destruction of the island in this JISAS timeline has somehow resulted in Hurley going from being surrounded by bad luck (albeit only to other people) and seeing the money as a curse, to being a contented business owner to whom nothing bad ever occurs. Why this should be the case is hard to say. If you recall, Hurley won the lottery using numbers he got from Leonard Sims in the psych ward, who in turn heard them on a broadcast emanating from the island (as seen in season 1: episode 18 “Numbers”). So if the island is sunk in 1977 then those numbers are never broadcast, Leonard never hears them, Hurley never uses them to win the lottery, etc. etc. the curse never happens. But here in this JISAS timeline Hurley is still a lottery winner but presumably without all the negative side effects found in the BTTF timeline, so he must have won using different numbers, which would of course be astronomically unlikely if we are meant to assume it was just blind luck. The question then must be, is “the island” (whatever that means at this point) still influencing events in this JISAS timeline or is it just a coincidence that Hurley happens to win the lottery in both scenarios? We’ve seen in the past that “the island” can influence events taking place all around the world (e.g., Michael being unable to kill himself in “Meet Kevin Johnson” season 4: episode 8), would submerging it really make a huge difference? Don’t really know. The other interesting thing, perhaps only to me, about this conversation was the way that Sawyer “warned” Hugo about being wary of people trying to take advantage of him. I don’t know if this is hinting at Sawyer being somehow “different” in this JISAS timeline, maybe he isn’t a con man at all (or maybe he is warning him BECAUSE he is a con man, it’s hard to say), though I am probably just reading way too much into it.

Back to the island we go! Juliet is still alive (I might have to change the name of my JISAS timeline)! At least momentarily. I know from reading press clippings that Elizabeth Mitchell is not a season six regular, so I can’t say I’m real optimistic about her surviving this episode. It’s likely that this is a bit of fan-service from the writers for people (I number myself among them) who felt that Juliet’s death was way too abrupt. Anyway, we’re back with Hurley who is being paid a visit by our favorite man in white, that of course being Jacob… and commercial break, typical.

Back on the plane… it looks like whatever memories Jin might have from the island adventure haven’t made much of an impact as he is back to his misogynist ways (I really hope they don’t make us relive Jin and Sun from the first season). Locke and Boone are back together! Even Neil makes an appearance here (more commonly known as Frogurt, or simply “the flaming arrow guy”). This is definitely a nice little fan shout out, I know that Ian Somerhalder (Boone) is on a different show now (something about teenage vampires or something, I don’t know) so I doubt we will see him very much, but it’s nice to get Locke and Boone back together, at least briefly. A couple things to note here, Boone is on the plane, but Shannon appears not to be. Not sure if that’s really even noteworthy but at the very least it seems to be another tidbit that suggest significantly divergent events here in the JISAS timeline (I’ll think of a new name if I have to but I am kind of liking it, has a nice ring to it). What IS noteworthy is Locke’s little story about going on a walkabout. Either he is lying (which would be consistent with his pre-crash, sex-phone operator calling, father obsessing, broken back having, overall pretty pathetic self), or he is telling the truth (which would really cement the idea that there have been some pretty major changes in the life histories of our LOSTies), the answer to that might be significant… let’s watch!

Back to the island… I quite enjoyed this transition. Gentleman Locke to murderous crazy Locke, or Not-Locke in this case (aka the smoke monster, I am calling that shit right now!). Not-Locke/smoke monster cuts off a piece of Jacob’s rug (well what I assume is Jacob’s rug, I don’t know if maybe Jacob stole this statue from someone else, lord knows that in these tough economic times statue living space is limited just about everywhere but I’d imagine it’s especially tight on a beautiful Pacific island). By the way he folds it up as if to put it in his pocket you must assume that he is taking it with him for some other purpose. I will be interested to find out what is up with the rug, the only link that comes to mind here is the piece of cloth that Ilana and her gang find ominously knifed to the wall in what had previously been known as “Jacob’s Cabin,” and which prompted her to say, “someone else has been using this cabin.” Don’t know the significance of that, just pointing it out. Ben is staring at the fire where Jacob’s body SHOULD be but isn’t. Not-Locke informs him that, “Jacob is gone.” Is it possible that Jacob is in fact a Jedi master? That would certainly explain why he left no body behind. I guess that would make Not-Locke (smoke-monster) a Sith Lord. What if this show turns out to be the prequels to the prequels of the original Star Wars trilogy? Wouldn’t that be nuts? Jacob is the very first Jedi and Locke, who originally comes to the island to train as a Jedi, ends up being turned to the dark side and becomes a Sith Lord. Who do you think Locke would take on as his apprentice? Jack? Maybe Walt? Okay, I agree, this is getting ridiculous, back to the show. Something tells me that, “I guess he knew that he was beaten.” isn’t going to be the reason that Jacob let himself be killed. Just a hunch. I hope that Not-Locke was only joking when he said that, I so desperately want him to be a badass. Lapidus doesn’t buy Ilana and her crew as the good guys, so does that then make Not-Locke the good guy? They clearly seem to be enemies, though that certainly doesn’t mean either side is “good”. Ha, I love how Ben covers his shirt up when he comes out as if that’s going to hide the copious amounts of blood splattered all over it. It’s nice to see Richard show some emotion, he’s been a relatively stoic figure up to this point. I always had him pegged as a sort of automaton, doing what he was told because he seemingly had no other choice, but this sequence suggests to me that perhaps he does have some personal interest in what happens on the island. I hear that we’ll be getting Richard’s back story this season, I am very much looking forward to it. Got to love Ben’s face when he realizes he’s been duped. Commercial break.

Meanwhile, on the other side of the island (monkey island anyone?)... Jacob explains to Hurley that he died an hour ago, once again raising the question, “Why can Hurley see dead people?” Still don’t have an answer to that one. Either way, the most intriguing bit of information to come out of this conversation has to be when Jacob explains his murder as, “an old friend grew tired of my company.” What happened between these two “old friends” that led to one going to such extreme lengths to take the other out, or as Not-Locke put it, “you have no idea what I had to go through to be here.” We got a taste of their relationship in the season five finale, with the man in black (aka, Not-Locke, who I am also predicting is the smoke monster) politely informing Jacob of his desire to commit murder upon him, a fact that little surprised or bothered Jacob at the time. The conversation that they had in that episode is also of interest here as it may hint at how the rift started. For those theologically inclined among us (again, not a single person is reading this, which makes this kind of sad doesn’t it?) it’s possible that you, like myself, might have seen that conversation as a discussion of free-will vs. predestination (or destiny in LOST terms). Jacob was seemingly advocating a position of free-will while the man in black seemed convinced that, “it always ends the same.” You might remember Jacob telling Hurley in the taxi, “I want you to understand Hugo, you have a choice.” Or even Ben as he was practically taunting him, “Whatever he’s told you, understand one thing, you have a choice.” But what exactly constitutes free-will? A question with a multitude of answers no doubt, and one that could fill volumes. For the purposes of this blog, however, I would simply ask if it can really be considered free-will if someone has been manipulated to the point that a given outcome is a virtual certainty (was Ben truly exercising free-will when he killed Jacob, believing as he did that his own daughter demanded it as retribution for causing her death? Not-Locke had manipulated him to the point that there was only one possible outcome when faced with that “choice.”)? I think this will continue to be a major theme for the remainder of the show, as it has been since pretty much the beginning (even think back to when Ethan tells Claire outside the medical hatch in season 2: episode 15 “Maternity Leave”, “We won’t do anything you don’t want us to, you have to remember Claire, it’s your choice.” But would anyone call that choice an act of free-will, especially given her drugged addled mind?). I’d tell you to discuss in the comments, but since nobody is going to read this I guess I’ll just skip that (even though I just wrote it anyway). Back to the show. It looks like we’re finally going to answer one of LOST’s greatest mysteries, “what’s in the guitar case?”

And… we’re back to the plane. I think we’re about to get a Charlie Pace sighting… and there he is, did FlashForward get cancelled already (I kid, that show isn’t that bad)? Commercials. Whoever invented the DVR, I drink to you sir (or madam, but let’s be honest, it’s probably a sir).

Plane again… Sayid helps Jack resuscitate Charlie. Nothing particularly interesting here, other than Charlie almost choking on a bag of heroine.

Back to the island… the rubble is cleared away and we get a second chance to say goodbye to my beloved Juliet (you read what I said earlier about GIA right? Yeah, you’re going to want to look that up, it’s good stuff). I’m not a huge fan of being forced to watch Juliet die twice (well three times if you count punching the bomb), but I’ll admit this didn’t leave nearly the bad taste in my mouth that it did the first time she died, so well done writers (and there’s always JISAS right?). Nice to see Hurley finally growing a pair, it was about time that he manned up and did something productive.

Back at the statue… big lumberjack guy is already pissing me off. Hopefully he isn’t long for this world as I can’t imagine that barging in on old Johnny with a gun is a great idea if you want to live. So these chumps are Jacob’s bodyguards? Pretty worthless. Shooting Not-Locke? Bad idea it would seem. Aaaand….. he’s dead. Oh, and, NAILED IT! I called Not-Locke as the smoke monster months ago (of course I wasn’t the only one, but that’s of little consequence). Finally, I can simply refer to him as Smoky or sometimes Smoky McGee if I’m feeling frisky. I won’t try to speculate on the significance of the grey sand, though it clearly has some kind of repulsive quality for old Smoky. Come on, you have to admit that Terry O’Quinn is straight beasting this premiere (as he did the last half of season 5 as well)! It really is unfortunate that he hasn’t had more screen time up to this point. I love him as Locke but he is twice as good as Smoky McGee. In terms of that scene, it’s interesting to me that it seemed like Smoky had to hide his bodily form and then come back into the room from some other place. I don’t know if that was just a strange sequencing or if the Smoky part of his person is somehow separate from the bodily manifestation. The bent bullet was a nice little reveal, shit’s really starting to heat up!

And back to the pipe cave of death (aka Juliet’s death knell part 2, may she rest in peace)… even covered in blood she is still impossibly good looking. This scene, while hard to watch, does have some good information for those of us who watch LOST with an eye on theory crafting (and if the last 3500 words haven’t given it away yet, I am one of those people). What did Juliet mean when she said, “We can get coffee some time. We can go Dutch.”? At first this comes off as the ramblings of a woman close to death losing her grip on reality, but having now watched the rest of the premiere I am tempted to think that this might have a more significant implication. It’s not so much what she says but rather how it’s presented. Going Dutch for coffee (referring to the common phrase “to go Dutch” meaning to each pay for their own expenses) on its own is largely meaningless, but when coupled with the later Miles Straume revelation that Juliet was trying to tell him “it worked” it takes on perhaps an added importance. I’m speculating here of course, but is it possible that Juliet was slipping in and out of the two parallel timelines (BTTF timeline and her own aptly named, if I may say so myself, which I can because this is my blog, JISAS timeline)? Why would she say at the beginning of their conversation, “it didn’t work, we’re still here,” but by the end of it is saying, “it worked.” Clearly something happened in those intervening 30 seconds that changed her mind. What else could that be but a temporary experience of that alternate timeline? The only point in their conversation where anything strange takes place (and coincidentally enough happens to coincide with her sudden change of heart) is when she starts talking about going out for coffee. It is my theory (and I’m sure the theory of others as well, lest you – you of course meaning me because nobody is reading this – think me capable of an original thought) that Juliet was talking to Sawyer in the parallel timeline and that in that timeline they are together and happily married (the last bit is entirely wishful thinking, but it’s possible right?). Isn’t that a comforting thought? It was for me, so please, don’t rain on my parade.

Back on the plane… having survived another Juliet death we are rewarded with the relative calm of flight 815 once again. I don’t know if Jack asking what happened to Desmond is of any importance. I won’t jump to conclusions and say that he imagined him outright, but the way the writers sort of emphasized that sequence makes me raise an eyebrow at the very least (careful not to raise them both or people will simply think you’re surprised). I know I’ve been pushing this whole “everything’s different” theory up to this point in regards to the JISAS timeline, but the quick-cut montage here at the end (classic LOST finish by the way) is making me rethink that position. The writers are bringing it all back to focus on objects of familiarity for the audience: Hurley and his headphones, Sayid and his pictures of Nadia, Jin and his father-in-law’s watch, the stewardesses and their seatbelts (okay not so much the last one), Kate and her handcuffs/U. S. Marshal, Charlie and his drugs, and last but not least… wait for it… yep, Locke and his crippled legs. It appears that he was in fact lying to Boone, so maybe not that much has changed for our beloved LOSTies after all.

Wow, so that was super long. Granted it was the first episode of season six (I’ve had a whole off-season’s worth of pent up LOST waiting to get out) and it was my first crack at writing a blog post (I take it they’re not generally supposed to be this wordy if you want people to actually read them). I think as things progress these will hopefully become more concise. If anybody actually read this whole thing I would love it if you left some kind of indication in the comments so that I can mock you publicly. Well that’s it for Season Six: Episode One “LAX Part 1.” Part 2 arrives shortly.